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I may be up in New York at the moment, but there’s a few more things to clear up from SXSW. Such as the interview with moderator Christian Castle from the Google/YouTube/Arts discussion late last week I mentioned. As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Discussion from Christian Castle on YouTube, Google, and the mainstream media.
Music from Honeycut.

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Music, Ewan Spence, Honeycut, Youtube.

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What a fun day yesterday was. Panels that ranged across music, mobiles, the web, copyright law, Web 2.0 and consumers taking matters into their own hands, some cracking live bands, and a great midnight movie to finish it of. That’s what makes SXSW so special. As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Get ready for the internet based Portable Film Fest.
Mike Tucker, director of The Prisoner (or How I Planned To Kill Tony Blair).
Chris Stapp and Matt Heath, the team behind The Devil Dared Me To.
We play out with Deja Voodoo, Can’t Do What I Wanna Do.

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Music, Ewan Spence, The Prisoner, Portable Film Festival, Deja Voodoo, The Devil Dared Me To.

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There’s a bundle of stories and thoughts here at SXSW Music, and we’ll get to that in the next few shows. For now, there’s a fascinating interview with Ian Schaffer from Deep Focus (the company behind the Court TV ad/blog campaign to name one), a talk with Corey Dennis from Ioda along with the headline band from their opening day gig), and Casey Muller from Jamglue talking about music communities.

As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Casey Muller from Jamglue.
Corey Dennis from Ioda Promonet.
Ian Schaffer from Deep Focus.
The Black Angels, performing Bloodhounds on my Trail.

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Music, Ewan Spence, Jamglue, Ioda, Deep Focus, Court TV, Promonet.

Download “Bloodhounds On My Trail” (mp3)
from “Passover”
by The Black Angels
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Added on top of this was the fact that the moderator decided on a ‘no questions from the floor’ policy, only taking in questions (which he screened) on little pieces of paper. Any audience interruptions were parried with the skill of David Ogden Stiers acting opposite Raymond Burr.

Basically I pretty much fumed at the back of the panel until the end, when enough was enough. My notes read like this…

Okay with a few mintues to go they want to hit on orphan works. No I’m not taking this any more, I’m going to stand up and dare to ask a question. That a SXSW panel has to come down to going head to head against the moderator to have any debate.

…and I forced my question into the discussion flow. “Can we ask who represents the consumer on this panel?” The answer? “No you can’t ask.” (Eric Rice has a chain of thought blog posts starting at the above link as well). I’m sorry, I;m going to debate strongly that it should be asked. Turns out the audience was on my side and wanted the question answered as well. Result? End of Panel, thank you for coming.

After the session the number of poeple asking for my card was testimony to the most one sided, ill moderated panel at SXSW (or any conference) I have ever been at.

Which didn’t stop me interviewing the moderator (Christian Castle) for the Tech Conference Podcast. That should be up over the weekend.

SXSW Google is Evil

Moderator: Chris Castle Managing Partner, Christian L Castle Attorneys

Marybeth Peters Register of Copyright, Library of Congress, US Copyright Office
Ali Aydar COO, SNOCAP Inc (ex of Napster)
Rebecca Greenberg Natl Dir, Recording Artists’ Coalition
Rick Carnes Pres, Songwriters Guild of America
Jay Faires Pres of Music and Publishing, Lionsgate
Patrick Ross Sr Fellow and VP Comms, The Progress and Freedom Foundation

Who is representing the listener or consumer on this panel?

We have to write down questions on a piece of paper for the moderator?

CC Misconstuing the DMCA by saying ‘Google is permitting clips.’
MP Explanation of DMCA takedown - physical world is different to the digital world - DMCA adds a protection of copyright. Providers wanted more certaintly if they were “merely” hosting . Copyright Extension was traded with the value of DMCA
AA ‘Is youtube making a copy?’ YT accepts the content, which is then transcoded, thus creating NEW content, and thus direct copy.
PR ergo not covered by DMCA. Copyright intent was an opt-in process.
RG Are there peopel wanting to be exploited by Google/YouTube. Professional (living) artists want to be created. THis removes the artist choice. If google has cash, why can’t they police?
RC And how do we ‘police’ the other myriad sites. “People die of exposure too.” And they’re doing adverts, so they are selling, where’s my portion?
MP The solution is an accoustic fingerprint (after all, they filter porn - but isn’t this a user generation). So if they can do this, are they shaking us down.
CC google’s answer is to give you cut of the revenue after negotiation.
PR the copyright owner should negotiate adverting themselves, not rely on GOogle. ie Comedy Central want it on their site.
RC living on one song for many many years (exs COPYRIGHT is NOT infinite) They can;t search for ‘circle c’
MP we turned down google to digitise the works of library of congress
CC are we surprised that google are wanting to change the law (exs: this comes from the panel arguing against the DMCA)
MP We should do this in the confines of the law (exs ahem DMCA)
CC Why should we spend our creative time searing google
RC I’m a servant - a servant of google. Away from the manufacturing and the industry
CC Is there a massive social cost to thinking Goggle’s DMCA lookout is correct? Takes $10 per takedonw per instance ‘it is in their commerical interest to not filter’
Audience: ANd he trys to remind us all written questions only afte the audience jump to correct re CBS YT deal

Questions
Q. Thread of Did you invite google. Nobody asked to appear from Google. Picking on a google employee in the audience.
Q. What is the EU doing on this issue? MP there is no EU takedown regieme, trying to argue fiar use in the UK (exs which doesn not exist)
Q. Why is it okay for Radio, and not Google (RC: I signed to ASCAP and get paid). Also US is chasing a PRS deal in america.

(from IRC)
[11:58] So to summarize: panel with no official backchannel, no consumer representation and roadblocks placed in the way of open debate?
[11:58] yes
[11:58] welcome to the music biz

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Mostly movies today, but with the musical biopic of Larry Pierce, you’ve got some melodies to join in with at the very end of the show. before that though, 40,000 zombie sheep attack the farm in the New Zealand comedy horror agricultre spectacle that will rival Shaun of the Dead this year, and the chaos of getting every music registrant a wristband.

As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Hugh Forrest, SXSW Coordinator talking about registering all the music fans and more.
Jonathan King, writer and director of Black Sheep.
Nick Prueher and Joe Pickett, directors of Dirty Country.
Larry Pierce sings “I Think About You Every Time…”

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Music, Ewan Spence, Black Sheep, Dirty Country.

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A burst of short thoughts from the floor of the trade show to start today’s show, from opening up systems (OpenID) at AOL, to new storytelling methods and ideas, to the impressive One Laptop Per Child program. And for SXSW Movie, when you have people who love movies as much as Chris Kattan and Glasgow Phillips (from Undead or Alive) you can’t help but chat about the resurgence of the Zombie, The Transformers Movie, Pirates of the Caribbean and debate the merits of The Swarm.

As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Owen Walsh from AOL on AOL’s OpenID Plans
New forms of storytelling from The Couriers of Ruin (www.thespyronsconcept.com)
I get my hands on an OLPC Computer.
The aforementioned Glasgow and Kris from Undead or Alive.

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Interactive, Ewan Spence, openID, AOL, Undead Or Alive, OLPC.

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Last night’s Web Awards brought pretty much every Interactive badge holder to the Hilton Hotel Ballroom for the annual rewarding of the newest and latest sites in the internet. Stay tuned to the end of the show for some of the more notable winner’s names, but before then I caht to two nominees and the man behind the awards. Of course SXSW isn’t just that, so Twisted (a balloonamentary) tell me more about the delights of balloon modelling and documentary filmmaking.

As always, any stories, leads, or if you want to be in the show, drop me an email at ewanspence@gmail.com, or call me on 917 349 4539. Want to follow what’s going on with me? Twitter: EwanSpence.

Today’s Guest From SXSW:
Twisted - A Balloon Twisting Documentary.
Broadtexter - SMS Groups for Music Bands and Fans.
Evan Williams, Twitter - If you’re not on Twitter, you’re !2.0.
Shawn O’Keefe - The Tenth Web Awards

Tags: SXSW, SXSW 2007,SXSW Movie, SXSW Interactive, Ewan Spence, Twitter, Broadtexter, Twisted, Web Awards.

And it was on the flight out (as I was editing the one year anniversary show of TPN Rock) that I decided that this year I would cover the music (and film) parts of SXSW as well. Naturally it makes my stay in Austin three times as long - and as Austinites know SXSW has a lot of visitors, it gets very pricey for accomodation and suchlike - but that just presents me with a slightly larger finanical problem to overcome; which I have.

Of course I have another consideration - you can’t just walk into any of the gigs and switch the microphone on to grab a bootleg (well you could, you just couldn’t podcast it legally afterwards). So as well as finding bands that will work in the show format I have in mind, they need to be podsafe, have some tracks alreadya vailable that I can play, and be available to meet up for an interview.

Luckily I’ve had contact with a lot of bands through TPN Rock, so I can call on them, and their labels (now that the SXSW Organisers have published the big list of bands playing), but I’ve another advantage. Ioda’s Promonet.

Naturally a number of the bands on their promotion network have already appeared on many shwos on The Podcast Network, and they also know who’s turning up at Austin. Which means that big SXSW list gets cut down a fair bit once I factor in the promonet bands that are appearing. I wonder if other podsafe music sites are doing this? And they have a massive musical showcase gig on the first day as well which I’ll be attending.